From Here to There
12.11.25 - 28.12.25
DUO SHOW
Seppe Vancraywinkel
Jens Milonton
From Here to There brings together two emerging Belgian artists whose practices trace the movement between distance and closeness, reality and reflection, presence and memory.
Seppe Vancraywinkel (1998, Hoegaarden) captures the pulse of life on the move. Working exclusively in analogue black-and-white, he photographs his circle of friends and the fleeting moments that define them. The grain of film and the absence of color create a poetic distance — a dreamlike filter through which life becomes memory, and motion turns into emotion.
Jens Milonton (1990, Antwerpen), educated at the Royal Academy of Fine Arts in Antwerp, works with graphite and charcoal to build meditative, introspective landscapes. His drawings unfold slowly, revealing a world that hovers between observation and imagination - places where silence, texture, and light become ways of thinking.
Together, Vancraywinkel and Milonton chart a journey from here to there: from the tangible to the remembered, from the outer landscape to the inner one.
A dialogue in black, white, and gray - about movement, stillness, and everything that lingers in between.
Jens Milonton
From Here to There brings together two emerging Belgian artists whose practices trace the movement between distance and closeness, reality and reflection, presence and memory.
Seppe Vancraywinkel (1998, Hoegaarden) captures the pulse of life on the move. Working exclusively in analogue black-and-white, he photographs his circle of friends and the fleeting moments that define them. The grain of film and the absence of color create a poetic distance — a dreamlike filter through which life becomes memory, and motion turns into emotion.
Jens Milonton (1990, Antwerpen), educated at the Royal Academy of Fine Arts in Antwerp, works with graphite and charcoal to build meditative, introspective landscapes. His drawings unfold slowly, revealing a world that hovers between observation and imagination - places where silence, texture, and light become ways of thinking.
Together, Vancraywinkel and Milonton chart a journey from here to there: from the tangible to the remembered, from the outer landscape to the inner one.
A dialogue in black, white, and gray - about movement, stillness, and everything that lingers in between.
Witold Vandenbroeck
12.09.25 - 26.10.25
SOLO SHOW
Map and Territory
In the paintings of Witold Vandenbroeck, forms emerge that feel both familiar and elusive: tubes, vessels, smooth contours that hint at networks, routes, and flows. They evoke the visible and invisible infrastructures through which people and matter move. Water through pipes, blood through veins, trains through tunnels.
Vandenbroeck doesn’t depict maps as representations of the world, but rather explores how abstraction can overwhelm reality itself. His works are not ‘cartographic’, but compact visual systems — snapshots that speak of the power of representation, of seeking control but instead being controlled, of the freedom that lies beyond the map.
Vandenbroeck paints with distemper: pigment mixed with skin glue; a medium that demands speed and focus. His colours are dense, opaque, and tactile. Each painting becomes an exercise in timing, in restraint, in commitment. Together they chart a transient reality which is always able to elude the maps made of it.
In the paintings of Witold Vandenbroeck, forms emerge that feel both familiar and elusive: tubes, vessels, smooth contours that hint at networks, routes, and flows. They evoke the visible and invisible infrastructures through which people and matter move. Water through pipes, blood through veins, trains through tunnels.
Vandenbroeck doesn’t depict maps as representations of the world, but rather explores how abstraction can overwhelm reality itself. His works are not ‘cartographic’, but compact visual systems — snapshots that speak of the power of representation, of seeking control but instead being controlled, of the freedom that lies beyond the map.
Vandenbroeck paints with distemper: pigment mixed with skin glue; a medium that demands speed and focus. His colours are dense, opaque, and tactile. Each painting becomes an exercise in timing, in restraint, in commitment. Together they chart a transient reality which is always able to elude the maps made of it.
Daems van Remoortere
29.05.25 - 05.07.25
SOLO SHOW
Early Morning in the Universe
After completing their permanent installation Meetingpoint at the new prison in Brussels and Sundance, presented at M HKA during Museum Games—where they explored the cycles of the sun and the seasons—Daems van Remoortere now turn their focus to the solar maximum with their new solo exhibition Early Morning in the Universe. This eleven-year turning point, during which solar activity will reach its peak in July 2025, serves as a central theme.
This peak marks the flip of the sun’s magnetic field and functions as an astronomical zero point for the exhibition.
From this ‘cosmic zero point’, they raise questions about how power and narratives shape, distort, and leave traces in history—and what might remain of these in the future.
Like a cosmic Groundhog Day, they explore the possibility of a reset—while retaining all accumulated knowledge.
Early Morning in the Universe runs from May 29 (Antwerp Art Weekend) to July 5, 2025 at PONTI, Antwerp, and aligns both scientifically and chronologically with this astronomical turning point.
After completing their permanent installation Meetingpoint at the new prison in Brussels and Sundance, presented at M HKA during Museum Games—where they explored the cycles of the sun and the seasons—Daems van Remoortere now turn their focus to the solar maximum with their new solo exhibition Early Morning in the Universe. This eleven-year turning point, during which solar activity will reach its peak in July 2025, serves as a central theme.
This peak marks the flip of the sun’s magnetic field and functions as an astronomical zero point for the exhibition.
From this ‘cosmic zero point’, they raise questions about how power and narratives shape, distort, and leave traces in history—and what might remain of these in the future.
Like a cosmic Groundhog Day, they explore the possibility of a reset—while retaining all accumulated knowledge.
Early Morning in the Universe runs from May 29 (Antwerp Art Weekend) to July 5, 2025 at PONTI, Antwerp, and aligns both scientifically and chronologically with this astronomical turning point.
Ewoud Viane
04.04.25 - 17.05.25
SOLO SHOW
Sunny-side-up
During this exhibition, the artist will show a series of fifteen paintings, showcasing his continued exploration of textiles, wood, and epoxy resin as integral elements of his artistic practice.
Ewoud Viane (b. 1996 - Izegem) is known for his distinctive approach to painting, where he blends bold colors, layered textures, and unconventional materials to create striking visual compositions. His work often explores themes of transformation and perception, challenging the boundaries between abstraction and figuration.
During this exhibition, the artist will show a series of fifteen paintings, showcasing his continued exploration of textiles, wood, and epoxy resin as integral elements of his artistic practice.
Ewoud Viane (b. 1996 - Izegem) is known for his distinctive approach to painting, where he blends bold colors, layered textures, and unconventional materials to create striking visual compositions. His work often explores themes of transformation and perception, challenging the boundaries between abstraction and figuration.
Mashid Mohadjerin
06.03.25 - 29.03.25
SOLO SHOW
Spiralling Outward
"Spiraling Outward" marks the latest intervention by Mashid Mohadjerin, offering a dynamic exploration of her artistic vision. At the same time, Mohadjerin has a solo exhibition at FOMU Antwerp, further expanding on her thought-provoking work. During the show, Mohadjerin showcases photography, collages, and a video installation that reinforce her narrative around the themes of her latest book, Riding In Silence & The Crying Dervish. The book will also be available for viewing and purchase in our space.
Mashid Mohadjerin (b. 1976, Tehran, Iran) is a multidisciplinary artist who obtained her Doctorate in the Arts from the Royal Academy of Fine Arts Antwerp in 2021. Her work has been exhibited internationally and has received multiple awards, including the Les Rencontres d’Arles Author’s Book Award for Freedom is Not Free (2021) and first prize in the Contemporary Issues category of World Press Photo 2009.
"Spiraling Outward" marks the latest intervention by Mashid Mohadjerin, offering a dynamic exploration of her artistic vision. At the same time, Mohadjerin has a solo exhibition at FOMU Antwerp, further expanding on her thought-provoking work. During the show, Mohadjerin showcases photography, collages, and a video installation that reinforce her narrative around the themes of her latest book, Riding In Silence & The Crying Dervish. The book will also be available for viewing and purchase in our space.
Mashid Mohadjerin (b. 1976, Tehran, Iran) is a multidisciplinary artist who obtained her Doctorate in the Arts from the Royal Academy of Fine Arts Antwerp in 2021. Her work has been exhibited internationally and has received multiple awards, including the Les Rencontres d’Arles Author’s Book Award for Freedom is Not Free (2021) and first prize in the Contemporary Issues category of World Press Photo 2009.