Ayrton Eblé (°1994) is a regular uninvited visitor of construction sites. By means of pseudo-archeological research and a strict focus on the shifting edges of urban residential areas, the city reveals himself to him as a constantly developing field of research. He documents this spectacle by means of photography and builds up an equally constantly growing archive of visual material. This form of spectating combined with an on growing archive forms the starting point of his artistic practice which extends across various disciplines: painting, installation, video and site-specific work.
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